I’ve just finished posting the final chapter of my latest fic, Affair to Remember. It’s a story about House, his mother, Blythe, his mother’s neighbor, Emma, and her son, Cameron. As far as plot goes, it’s pretty simple: Blythe’s failing mental health has been having an impact on her neighbor, who’s been forced into a caretaker role. She finally calls House and asks him to come and take care of his mother himself.
From a writing perspective, in this story I was practicing something; I was playing with the idea of “themes”.
If you’re interested in learning more about writing, one of the best writing books I’ve read is Stephen King’s On Writing. Part memoir, part instructional guide, it is an amazingly easy-to-read book and would be of interest to anyone (reader or writer) who wants to know more about the craft.
One of the things he talks about is this idea of “themes”.
I’m sure just from high school English class if nothing else, you’re familiar with the idea of themes throughout a book — for example, The Great Gatsby is about a thwarted love story, but the themes in it are rich well beyond that, such as the division between old money and new money, and the destruction of the “American dream”.
Stephen King advises that once you’ve written your book, you examine it for themes and then go back and weave them into the tapestry so they permeate throughout. It’s when authors do this that you have lots to talk about when you discuss a story — there is depth beyond the plot, and meaning behind the actions of the characters. It’s what makes a book good for a book club!
Now I’m not necessarily saying I achieved book club status with this story, but I was practicing with themes and I’d be interested to know if you picked up on any of it. There were two I was deliberately playing with: the nature of an “affair”, and “memory” or “remembering” — just as in the title.
All my characters had an affair — thus the title is deliberately not “AN Affair to Remember”, like the movie . Blythe’s affair was with House’s biological father and, in my mind, was the central “affair” of the title. Emma and House end up having an affair. And Cameron is about to set off on his very first “affair” by having sex with his girlfriend for the first time. Each of these three relationships weave in and out of all their lives, with Blythe’s remembrance of her affair as what sets off House believing that there is something wrong with her mental state.
My take on affairs wasn’t just the sex or the relationship angle though, it was on the “memory” — what does an affair leave you remembering? For Blythe, she remembers a man she loved, who left her with a son and the rest of her life that (to me) never measured up to what she could have had if she’d left John and gone with Tommy. Perhaps this is what is ultimately behind her parting advice to House “not to be afraid” — does she wish she’d had the courage to live her own life differently?
Both House and Emma reflect that they will remember the weekend forever. For Emma it marks a turning point in her life — a decision that she must start to live her life for herself and not just for her son, because he will grow up and leave her soon. Being with House shows her possibilities that she’s not let herself imagine. This is in contrast to Blythe, who gave her life to her husband and and son. Emma realizes that she needs to change the way she lives or she faces a similar destiny to her neighbor. (And, as a little additional reinforcement of the “affair” theme, in Emma’s back story, we find out that she was badly hurt when her husband cheated on her when Cameron was a baby — that affair, although not hers, left her with memories that kept her from seeking another relationship for many years.)
In contrast to the other characters, Cameron is all about making memories rather than remembering them. House’s final advice to Cameron, to take his time “because he’ll remember it forever”, is opposite to when House first protests that he can’t remember how old he was himself when he first had sex. Cameron doesn’t call him on that, and we can only imagine what the teenager does or doesn’t do with his girlfriend Tori. (Although, I rather hope they have a very special time and end up going out with each other throughout high school until they part to go to different colleges. I liked Cameron. A lot. :-) )
House’s journey throughout the story is the one that is most about memories. I’ve mentioned to one reader that I was very much playing with the “Broken” version of House in this story. His relationship with Lydia in that episode was very informative to some of the inner workings of his mind, and in this story, it is Lydia who House remembers, not Stacy: his affair, rather than his relationship. The affair with Emma is more “domestic” than the affair with Lydia, and it shows House how much he misses the day-to-day aspects of being with someone — something he wanted with Lydia but couldn’t have.
House also has to face memories — his mother’s life and her decisions and how they’ve affected him. He also has to face the shadow of his father at every turn — the helpful marines and his father’s reputation preceding him. Although I could have, I didn’t delve too much into this, because this story wasn’t about John House or House’s relationship with his father, it was about mothers and sons. I felt getting into that would have “muddied” my themes by adding in a new one. (Besides, I think the House/John relationship has been pretty fully explored in fan fic, and I wanted to do something different.)
For House, the mother/son relationship dynamic couldn’t happen without some kind of “coming of age” journey for him. His reflections about the parent/child relationship shifting were part of this. I think this is also why he felt drawn to Cameron and found himself liking the teenager. Both of them were going through turning points in their lives: for Cameron it was puberty and losing his virginity; for House it was accepting his role and responsibilities as an adult and becoming a care-taker. House plays this role with each person at different points in the story — he rescues his mother after the accident and applies first aid; he comforts Emma in the hospital and realizes it is a fulfilling feeling; he advises and coaches Cameron on a number of occasions. I don’t know about you, but I liked House as the responsible one rather than the victim, I think he often likes to play “helpless” — with Wilson, especially.
I really enjoyed writing this story, and I feel it is something a little different to anything I have done before. It has echoes of “Rebirth” I think, in that it takes a kind of slow and gentle approach to the story-telling. I hope you enjoyed reading it.
And as a little treat for all of us:
*sigh* Cary Grant. Mmm.